Category Archives: Amamiya Sora

#213 – Dumbbell Nankilo Moteru?: Fairouz Ai & Amamiya Sora


Interview with the main pairing from muscle porn anime Dumbbell Nankilo Moteru? – half-Egyptian rookie Fairouz Ai (Sakura Hibiki) and Amamiya Sora (Soryuin Akemi). One of the shows that I’d been looking forward to most this summer, though I daresay it still won’t make me get my ass off my chair (unless 10ch ‘persuadesme…)

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The anime captures the global bodybuilding boom!

Q: NHK’s ‘Bodybuilding For Everyone’ (Minna no Kinniku Taisō) became such a big hit that its stars were invited to the 2018 NHK Kohaku Utagassen – the bodybuilding boom really seems to be making waves!

Fairouz: Yeah (laughs)!

Q: Have you seen ‘Bodybuilding For Everyone’?

Fairouz: I did! I really love Murasame (Tatsumasa)-san!

Amamiya: Eh?

Fairouz: He’s a Swedish guy who became a naturalised Japanese citizen. He’s so cool!

Amamiya: Is he a bulging (muscles) guy?

Fairouz: He’s muscly! Plus, he’s a gardener. He’s totally cool.

Amamiya: Oh~~! I didn’t know that. Are the bodybuilding workouts similar to radio calisthenics?

Fairouz: Erm, it’s got poker-faced macho guys doing strength training exercises.

Amamiya: …Is it supposed to be a surreal kind of thing?

Q: The show is pretty surreal. When it first started, people were wondering ‘What the heck is this?’

Fairouz: I was thinking ‘Is this really showing on NHK?’ (laughs) Let’s do some strength training exercises!

Amamiya: I-I’ll make up my mind after I see it first…

Fairouz-san’s unstoppable muscle love

Q: Fairouz Ai-san, you love strength training and muscles, don’t you?

Fairouz: I love them! I love them as much as I love eating three meals a day.

Q: So you must’ve been fated to meet Hibiki.

Fairouz: That’s right. When I heard about this title I thought to myself, ‘I wanna be in this show!’. I wondered if the reason I’d been training all this while was because I was destined to encounter this series. I’ve been training for a year and 9 months now.

Q: Amamiya-san, do you like muscles?

Amamiya: Nope, I don’t like them at all (laughs) I think a lot of women have muscle fetishes. Like, ‘Oh my god those arm muscles are insane!’. Not me though – in fact, I can’t stand them. But now that I’ve tried working out myself, I can imagine how tough it is to actually get to that point so I do have a lot of respect for them!

Q: So you do work out, correct?

Amamiya: I go to the gym twice a week.

Q: Great! I was just about to ask about your gym experience.

Fairouz: I was working at a gym around 2 years ago, but that’s not why I started strength training, it’s the opposite – I got a part-time job there because I was interested in strength training. I can get specialist tips on the job and use the gym for free – it was totally worth it! Obviously I’ve already quit the job but the knowledge I gained from my time there has proved to be useful for this part.

Q: What sort of strength training do you do?

Fairouz: I get asked that question a lot! (laughs) Right now, I go to the gym around 3 times a week and I split them up into leg, chest and back days. For wide stance squats, I do them while lifting around 50kg of weights…

Amamiya: T-that’s amazing.

Fairouz: For leg days I do Bulgarian squats and leg curls to strengthen my hamstrings and I also use abdominal machines to work on my abs. I do dead-lifts and one-hand rowing for back days, as well as arm curls and dumbbell kickbacks as well as ab machines for my abs. For chest days I do bench presses, dumbbell bench presses, dumbbell flyes, shoulder presses, side raises and ab crunches.

Amamiya: Amazing…

Q: I understand your reaction (laughs). What’s the aim with all this training?

Fairouz: I kinda think I wanna be like a gorilla.

Amamiya: That’s unusual (laughs)

Fairouz: People like (muscle idol) Saiki Reika and the trainer AYA are super cool. I wanna be a strong, cool woman who can knock people out with one punch. But yeah, I think I need to narrow it down a bit. After a workout I’ll go ‘Yay I did my best!’ and then go home while eating fried chicken and ice cream.

Q: The more I hear the more I’m convinced you’re really just Hibiki in disguise…it’d be great if a balloon showing the amount of calories popped up next to your ice cream, wouldn’t it?

Fairouz: Nooooo! I wouldn’t be able to eat it (laughs). Don’t wanna see those calories~

Q: Amamiya-san, you perform in concerts so you’d have to train for them, correct?

Amamiya: I got frustrated trying to work out at the gym and things like that, so there was a period of time where I’d given up but I’ve started going again thanks to this series. My goal is purely to work on target areas – I’m not looking to bulk up but to slim down certain chubby bits. So yeah, I work with a personal trainer on my upper arms, buttocks, thighs and back.

Q: It’s nice to have a dedicated trainer.

Amamiya: To be honest, working out is really not my thing and I’m not fond of anything that requires hard work or is painful, so I think it’s kinda impossible for someone like me to persist unless I have a personal trainer.

Q: You’d get frustrated.

Amamiya: If you work alone there are days where you’ll think ‘I can’t be bothered today, let’s just not do it’, plus I don’t have the interest nor the knowledge so I can’t figure out how to do things properly unless someone demonstrates it for me. So yeah I’d recommend a personal trainer. There’s also the fact that I’m also working on this series so I don’t want to feel embarrassed about it – I have a friend like Fai-chan after all. Many of the cast members do strength training too and having them around inspires me to work hard.

Also, I made a promise with Fai-chan where we’d both work towards our goals; Fai-chan to bulk up and me to slim down to my ideal figure, so that we can show each other the results of our efforts at the (anime’s) event – and that’s why I’m doing my best.

She’ll get switched out if she slims down!? Maintaining the status quo in hopes of a 2nd season!?

Q: By the way, can you tell me what I should do to get a six-pack? I’m doing planking, which the manga is covering now, but can you really get abs without using any training equipment?

Fairouz: Yes you can! The latest publication (vol 7 released on June 19) has a story about ‘how to get abs within 2 weeks’ so do check it out!

Amamiya: Ahahaha.

Q: Oh, you’re shilling the series (laughs)

Fairouz: But they do show you how to train without any weights. I have to warn you though – it’s super-duper tough! Though I’ve got to say that everyone has abs – it’s just a matter of whether it’s visible through all that subcutaneous fat. If your body fat ratio goes down, those abs will definitely shine through!

Amamiya: You’re right. When I was thin, I could form a 4-pack if I strained hard enough. I wish I could go back to that level. I’m not saying that I want to get ripped though…

Fairouz: Let’s both do our best~

Q: Speaking of the series – the manga is really interesting; how did you find it?

Fairouz: It was like strength training had finally obtained its citizenship! I was super happy. There hasn’t been a series that focuses mainly on diet and working out and now that we’re seeing a fitness boom, I think it’s very timely for the manga to ride the wave of popularity.

Also, there are so many misleading diet plans out there. They promise stuff like ‘you definitely won’t relapse!’. If young people fall for those tricks they might eventually end up with eating disorders etc, so this manga aims to put an end to such problems by introducing proper dieting methods and setting good examples. ‘If you read this manga, you’ll learn the right way!’

Q: It does cover how you can continue eating normally but still gain muscles by working out. I guess Hibiki eats way more than she’s supposed to, which is why she can’t shift the weight.

Fairouz: The day Hibiki slims down is the day the manga serialisation will end (laughs)

Amamiya: What shall we do if the 2nd season of the anime has a different main character?

Fairouz: Noooooo!

Q: Let’s not allow Hibiki to lose weight (laughs)

Fairouz: To be honest, if you tried to read training guides and looked up websites on muscles you’d stop right away after seeing all the baffling katakana. With this series you get cute girls teaching you how to do everything in lively ways, so you can easily slip into the manga and soak up the information with an open heart. That’s what’s attractive about the series to me.

Amamiya: A newbie like me who knows little about working out could read this manga and learn about how you can train without having to use special equipment. People have this impression of strength training being painful and severe but the characters are always enjoying working out, plus you’ll discover that it’s surprisingly fine to eat normally, and that makes you want to give it a try.

Fairouz: It’s the kind of manga that motivates you more and more as you read it.

Amamiya: It does make you want to give it a shot.

The passion for muscles and gags is amazing!

Q: What do you think of your respective roles?

Fairouz: I actually auditioned for Gina, not Hibiki. When I read my lines I was told ‘let’s get you to read for Hibiki instead’. Gina’s a lot of fun obviously, but when I read the manga I thought to myself ‘I’m actually Hibiki though’ (laughs)

Amamiya: Ahahahaha.

Fairouz: Since I was thinking ‘Ah I’m definitely Hibiki’, I was really happy when I was selected. She’s a character I can really identify with. As for my approach towards the role, I tried to recall what kind of person I was in my high school days and ended up going to read my diary from that period of time.

And what I saw written was ‘I ate and drank too much today. Let’s start again from tomorrow’ and for the next entry ‘I’m pressing the reset button right now. I won’t do it again’, which means that I’d overeaten two days in a row (laughs). That’s how similar I am to Hibiki.

Hibiki’s the optimistic type who thinks ‘Well, I’ll just work it off in the gym’ and I’m like that too. We’re positive fools…also, Director Yamazaki instructed me, ‘Don’t forget she’s a Shibuya JK*!’ but I was like ‘I’m not a gyaru so how am I supposed to talk again?’. I ended up learning by watching a gyaru Youtuber’s videos and incorporating it into my acting.

*JK – jōshikōsei, high school girl

Amamiya: But it’s still difficult. Since she’s definitely not like the high school girls of today.

Fairouz: It’s tough ‘cos she’s not very girlish but she wants to be popular with the boys so she is cute in a way that fits her age. I express my character in an honest way and all my seniors…Sora-san included, along with Horie (Yui)-san and Ishigami (Shizuka)-san, adapt their acting to complement what I do, which makes it easy for me.

Q: Amamiya-san, having read the manga I thought you were perfect for the role. Do you share that view?

Amamiya: For some reason, going all out when I’m doing comedies really makes me feel like I’m alive….Akemi’s audition script included parts where she has heart-shaped irises in her eyes, the perfect example of a gag scene.

When I saw that and had read the manga, I understood that yes, she’s a pretty girl but she’s also a crazy kind of comic relief character so I really wanted to voice her! I did go all out for my audition and I was very happy when I got cast in the role. She does seem pretty refined at times but her unusual love and passion for her beloved muscles is amazing, and I have a lot of fun playing her.

Q: You really like comedic acting, don’t you?

Amamiya: I do love it. It feels like I’ve been set free (laughs). I’ve always loved gags and making people laugh so I had fun with this. I was wondering maybe I could go an extra mile, so I tried out stuff in the studio that I’d been doing at home. It was fun to bring out voices that go beyond what I normally do, and the Director was quite receptive to them as well. I found that a lot of what I wanted to do or had come up with got a good reception.

Fairouz: She’d also actively ask the Director questions and discuss her character – I was just watching from the side but I thought the enthusiasm you had for your role was amazing.

Amamiya: You’re embarrassing me! But if you say that, then Fai-chan’s always making notes in the empty pages of the script comparing parts from the manga and the anime, about which turns of phrase are better and writing down any questions you have. You’ll bring that and carefully ask your questions one by one. You love the original manga so much and read it from cover to cover, making use of that knowledge for recordings – I’ve got much to learn from you.

Q: The 2 of you do have so much passion for muscles and gags (laughs)

Fairouz: There’s another aspect I think Sora-san has in common with Akemi – the fact that they both look cool at first but once she opens up and starts talking about something she’s passionate about, she just doesn’t stop.

Amamiya: Ahahahahaha.

Fairouz: When she talks at such great speed I’m like ‘Ohhhhhh~Sora-san what’s happened to you~~~~?’

Q: That totally sounds like an otaku thing.

Fairouz: I can tell that she’s talking at a speed that only otaku could. On the other hand, I’m the same when it comes to muscles and I yap non-stop about ‘how this is effective and that is the best!!’ and it makes Sora-san flinch. We are similar in some ways.

We want women who are interested in fitness to watch this show!

Q: A gag anime from Director Yamazaki is an interesting proposition. You mentioned that she was receptive to improvisation, didn’t you?

Fairouz: She’s receptive and her instructions are precise and easy to understand. Last week, the Director mentioned how I was similar to Hibiki in a certain way so I took what she said and interpreted it in my own way and she was fine with what I did. There are times when I can get quite close to what the Director is looking for. And most importantly, she’s a kind person.

Amamiya: You can definitely tell that she’s taking great care with all the characters, giving each and every one of them the utmost attention.

Fairouz: She’s so thorough with all of the roles, giving equal treatment to every character whether they’re mobs or main roles.

Amamiya: Though we say that the Director is receptive to our ideas, it’s not a case of her saying ‘that’s great’ or ‘that’s no good’ – she’ll say ‘Hmm, so what shall we do about it?’ and we’ll brainstorm together. It gets me thinking about whether there’s a different way to approach something and to consider everything objectively – it inspires me to work harder!

Fairouz: Since this is a comedy it’s important to have good tempo but I’ll be honest – this is my first ever TV anime never mind my first time doing a comedy, so I didn’t have a good grasp of the gags or the timing at all. The Director would say things like ‘this is a part where she’s deliberately acting cute and fluffy and then there’ll be a huge shift in mood in the next scene’ – her instructions are all very precise and gives me a good idea of what comedy is about. It was a very valuable experience for me.

Q: Feels like the response to this series will be positive when it comes to its quality.

Fairouz: Yes yes yes. I want to see the anime as soon as possible!

Amamiya: There’s obviously a lot of passion going into this and I absolutely believe it’ll be an awesome show.

Fairouz: No compromises!

Amamiya: Yeah! There’s so much care going into every aspect – for the segment after the ending sequence where we teach strength training, one of the actors mentioned that the pace the characters were doing them at was too fast, so the Director took that on board and made the necessary corrections. We do want to make sure that people can actually pick up strength training from watching this show in addition to bringing out the comedy aspects well during the gag scenes – this series really is a labour of love.

Fairouz: I think the fact that the Director has started going to the gym herself also plays a big part (laughs). It’s kind of hard to give advice to actors when you don’t have the knowledge yourself so it’s great for us in this case.

Q: What it is like working with a female director?

Amamiya: The source material has quite a few risqué scenes but those change up a bit for the anime. In the manga there are parts where the characters get shy and cover up their bits but in the anime they’ll show off their bodies with confidence!

I think that’s the significance of having a female director. We want to spread the message that it’s okay to go and do strength training and that you’re amazing for doing it! It’s not vulgar at all and made in a way that’s easy for girls to watch it, which I think is something unique to a female director.

Q: After all, there are many women getting into fitness now.

Fairouz: So yeah, we want girls to watch this show too!

[Interview & Text: Tsukagoshi Junichi]

The next big thing? 2016 edition

I used to do this kind of crystal ball post (please excuse the chuu2ness) back in the day – it seemed easier to predict 10 years ago because, rather ironically, there wasn’t so much media and industry info available back then so all I could do was to try to analyze casting trends.

I’d always used the ‘2/3-cours after’ thing (refer below) to spot potential stars – it was a very apparent trend/pattern to me even 10 years ago so yeah, I suppose everyone else noticed it too and it’s not something new or surprising…

However, nowadays there are a lot more parties that have interest in, and influence over seiyuu castings that it’s kind of a crapshoot to predict first-time breakout stars especially with those idol tie-ups/gorioshi happening all the time – at best, what people can do now is to predict which seiyuu will ‘consolidate’ their success and turn it into a longer-term thing where they’re still steadily doing voice work into their 30s.

Here, I will translate three articles featuring an anime magazine writer (A), an anime site editor (B) and an anisong insider (C) looking back at the trending seiyuu of 2015, and predicting the next big things for 2016. I read the first one way back when it was published, but only decided to translate now because we have the results to go with their predictions. There’re some pretty crude comments in there, you’ve been warned.

First is the article written at the start of 2015. Not that every time they say ‘this year’, it’s referring to 2015.

The important period for a seiyuu is the 2nd cour after their first hit

Q: In 2014, we had Uchida Maaya, who did a gravure shoot for Weekly Young Jump as well as Amamiya Sora who got a lot of buzz for her looks – you could say both of them were breakout stars for the year. What’s the outlook for 2015 like?

A: Hard to say. No matter what we say, seiyuu fans would be like “No way!”.

Q: You don’t have to bother about what the fans say. Just talk about it from the viewpoint of an industry insider.

A: Okay then (laughs).

B: In that case, how about Taneda Risa. If this was baseball, she’d have racked up 10 wins already.

C: Her first heroine role was in 2012’s Shin Sekai Yori, and it was for 3 cours. Last year she was in the 2-cour Strike the Blood and 2 cours following that, she started getting popular doing anime work and this year, has been much sought-after. Her growth as an actor has been the most apparent.

B: She was in countless things in 2014. The goddess of fortune was shining upon her. If she repeats that this year you could say she’s made it.

C: It could be Yoshimura Haruka. She’s one of the pillars of Idolmaster Cinderella Girls and on top of that, she did SHIROBAKO and Sora no Method this year. She’s definitely in a good position since the Idolmaster Cinderella Girls anime starts next January. Now will be the time for auditioning for the shows starting in April and July so it’ll be interesting to see how many regular roles she can snag.

A: Seiyuu who’ve had a hit anime will get audition offers coming in so what’s important is the 2-cours that follow that good role they got. It’s easy to see that I’m [Ent] pushed Yoshimura hard in 2014. Auditions, events, CDs; she got all of them, what’s left is to see whether she can sustain it next year.

C: Since we’re talking about agencies, how about the force that is Horipro?

You can tell a seiyuu’s agency by looking at their face

B: So that’d be Tadokoro Azusa. We did an article on her back in 2011 when she won the Grand Prix in Horipro’s Seiyuu Idol Audition and if I’m being honest, there were other people at the audition who sang and acted better than she did. Yet, she’s got that something where you just look at her & it gets you thinking “I wanna support her”.

A: She’s well received by the industry people as well. Someone like Nakamura Eriko’s taking good care of her and even calls her ‘Koroazu’. Her face totally changes once she’s got make up on too (laughs). In that sense I’ve got high hopes for her. What’s best is that she can sing.

B: Her singing is outstanding. She made her artist début in July last year and before her live concert that May she’d already done about 100 lives so she had thorough preparation. If she can get an OP/ED theme tie-up to one of her shows than she could potentially blow up. How about Terui Haruka? When I interviewed her I was impressed by how ambitious she was.

C: That girl really ‘feels’ like Aoni [Pro]. Also she’s got big boobs.

A: Yeah she looks like an Aoni girl. Plain but cute. I wonder why Aoni doesn’t take in flashy, cute girls. But yeah her boobs are big.

B: It could be scary ‘cos Aoni really puts big effort into their juniors. You don’t see too much of someone like Ito Kanae these days after all. It used to be that every show had Ito Kanae in it. Same for Sugar [note: Sato Satomi] too.

A: They push ‘em when they’re young, then leave it to them when they’ve made it. That’s why they get fewer jobs from that point onwards.

Q: So for juniors, who do you think is showing signs of breaking out this year – the potential ‘Rookie Award Candidates’, so to say?

The Rookie Award Candidates – Lining up those who are well received by the industry

C: Vims’ Hashimoto Chinami might take flight this year. She landed her first regular role in last summer’s Saikin, Imoto no Yousu ga Chotto Okasshindaga, and has been doing some other anime and a radio with Yoshimura Haruka. She’s got momentum.

A: I’d say Ozawa Ari is looking good to be I’m’s next big ‘it’ girl. She had Gekkan Shojo Nozaki-kun in summer 2014 and staff will be thinking ‘let’s get her in to audition’. That’s why she hasn’t got much going on for this autumn or winter but starting next spring, she’ll be coming on strong.

B: Kurosawa Tomoyo too. She’s not from seiyuu school, she’s a child actor. Since she’s used to having to deal with the adults, she’s good at handling herself and has gotten a good reception from the industry. Plus she looks cute.

A: In terms of good industry reception, there’s Aoki Ruriko as well. She’ll give a wave even at small events. Staff love her too.

C: It’s a natural gift to be liked by other people. If we’re talking about those with unusual beginnings, then there’s someone like Fujii Yukiyo who used to do stage lighting. It’s been 1-2 years since she converted into a voice actor and she’s been getting good roles. She’s still a junior but as she’s in Aoni, she might get a real push.

B: Maybe Tanezaki Atsumi too. She did stuff like Karashi in Houzuki no Reitetsu last year. Her acting’s great. You can’t tell that she’s actually so young but she’s still not too well-known; if she gets the right roles then she could go far.

These 3 will be the male seiyuu to look out for

Q: Finally, how about the male seiyuu?

A: The guys are harder since they basically tend to use the same people over and over. That’s why you’ve only got someone like Matsuoka Yoshitsugu of late. Maybe also Hanae Natsuki. He had Aldnoah Zero and Tokyo Ghoul last year. Both shows have sequels this year.

B: For me it’ll be Aoi Shota. He may be 27 but I think he’ll get a break. He’s originally a musician so it’s a given thing, but he can really sing. He did most of the guide vocals for UtaPri as well. He may be an ikemen but his persona is the scary, unpopular type. That’s the reason he’s grabbing many female fans. I think people can cheer him on with confidence. I just watched his live the other day and his fans were going “Shota, look at me~~” and he’s like an idol that way.

C: I’ll say Murase Ayumu. He was the lead in Gatchaman Crowds and followed it up with Haikyuu!! so he’s in the midst of breaking out. He’s getting a load of roles lately. Also, Saito Soma who’s also in Haikyuu!! He’s 81[produce]’s next big thing.
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Secondly, the follow-up article published on 30 Dec 2015 talking about the outcome of their predictions.

The unexpected big success of M.A.O

Q: So this was the New Year 2015 project that surprisingly gained a lot of feedback. First of all, let’s look back at the year for the seiyuu industry including the predictions that were made initially.

A: I’ve nothing to reflect upon about my previous forecasts. As expected, Ozawa Ari appeared in an increasing number of shows in 2015. Taneda Risa was in Shigatsu wa Kimi no Uso and continued that 10+ baseball match winning run. B also hit the target with his prediction about Kurosawa Tomoyo.

B: Yeah, she was the lead in Hibike! Euphonium after all.

C: It’s a plus point for Kurosawa that she’s in college now, which makes it easier for her to work. Looks like she’ll be getting more jobs in the future. I think I got it right with Murase Ayumu and Saito Soma for the guys.

A: On the other hand we had the unexpectedly prolific M.A.O [Ichimichi Mao]. According to this sheet she had more than 30 shows so that makes her the number one seiyuu in terms of the number of performances. I got the impression that her name would always be there if you looked at the staff credits roll.

C: As the number of shows you work on increases you get to appear at events and stuff like that as well, so that means you can make money as a seiyuu.

B: You make more from event performance fees than you do from working on anime episodes after all.

Q: It’s a rare success case for a tarento-turned-seiyuu. Why do you think she earned so much work?

A: Isn’t this what those seiyuu otaku are always deludedly talking about – the pillow business thing? (laughs)

C: Totally not the case here. She’s the type who rushes home at the speed of light when the after-parties are done. Instead, her manager will be the one sitting there forever, drinking (bitter laugh). It seems she doesn’t really talk to her female co-stars either. She’s getting more work because her acting is great and she’s found favour with the sound directors.

Will this year finally be Tadokoro Azusa’s year?

Q: On the other hand Amamiya Sora didn’t manage to sustain (her success) following the high expectations of her.

A: They pushed TrySail hard so her solo work took a bit of a back seat. I wonder if they’re trying to sell both as a ‘combo deal’.

B: For TrySail, I’ve got the impression that the balance of sales between the 3 members is quite bad. There’s a huge difference between Amamiya and Asakura Momo + Natsukawa Shiina in terms of popularity.

C: But M-san who’s in charge here will definitely turn up at Asakura Momo events (laughs).

A: I mentioned Tadokoro Azusa as a potential breakout star last year, and for 2016 she’s singing the ending theme for Kyoto Animation’s Musaigen no Phantom World plus she’s appearing as mascot characters in anime so it looks like she might make it this year instead.

C: Terui Haruka’s in a bit of a lull. Though she’s working quite a lot.

B: Terui’s a bit similar to Kanetomo [Note: Kaneda Tomoko] and when you do events or radio there’s got to be a bit of a trade-off with the other performers, which makes it kind of hard to utilize her. She did actually do a radio show with Suwa Ayaka – Suwa herself is a natural airhead but Terui was even more of an airhead so Suwa quite sadly lost her flavour in the process (laughs).

Q: Looking at the overall picture, and using last year as an example – it’s quite difficult to understand exactly what type of seiyuu sells.

B: This year [2015], there weren’t many seiyuu who you’d see as a batter who could hit a home run with just one shot – instead, there were a lot of average hitters. Going by numbers alone, the I’m Enterprise (girls) Hayami Saori, Hikasa Yoko, Sakura Ayane and Ozawa Ari performed strongly.

C: For dubbing, 81produce did well. On the other hand, Aoni Production was quiet.

A: Perhaps they’re readying a curveball right now. Aoni’s training school Aoni Juku is crazily tough. Even getting through to Junior is a huge task. Lead roles aren’t something that come along later in life.

C: I get the impression that they’re always late in coming though. (laughs)
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Part 3 – predictions for 2016.

2016 predictions: Female Seiyuu

Q: Your predictions for 2016’s breakout seiyuu?

A: I have someone that I have absolute confidence in. So you two go ahead first.

C: I’ll go with Hanamori Yumiri. She’s an 18-year old signed to Swallow formerly known as Pony Canyon Artists and she’s starring in Garasu no Hana to Kowasu Sekai that hits cinemas in 2016. She’ll be in UnHappy which starts in January*. Also, Ueda Reina. She’s the lead in January’s* Bakuon!!. She’s a real nice girl and the type who’s loved by both her fellow actors as well as staff. In 81produce, she’s close in age to the Wake Up Girls! and i ☆Ris and I think the agency will give her the big push this year. She was also in the news recently for that crowdfunded project** that hit 2 million yen when it’s target amount was 600,000 yen.

*note = both will actually air in April 2016 instead.
**Idol Recollection, a project to get a themesong for a mobage recorded

B: I think highly of Ueda too. My prediction though, is Hondo Kaede. She’s I’m Enterprise’s big hope. Her baby-faced visuals are something that would be well-received by the otaku. If we talk about this in terms of horse racing… using a rather outdated example, but she’d be Fuji Kiseki.

Q: Maybe she should retire early then (laughs).

B: No no, what I mean is that she’s the most amazing of her generation. Apart from Hondo there’s Kouno Marika from the seiyuu unit Earphones. Mausu Promotion’s putting a bit of effort into her. She shines brightly at events. In terms of horse racing she’d be Twin Turbo.

Q: The one that never seems to win?

C: She’s popular but doesn’t appear in anime that much, instead she has a lot of events.

A: Finally it’s my turn. I have total confidence in my pick. Cast-iron confidence. If this was baseball then this person would play as huge a role as Akiyama Shogo of Seibu [Lions].

Q: Ah, the Akiyama who set a record with 216 hits in a single season. That’s some confidence you have.

A: My pick is Takahashi Rie! Definitely. She’s on the verge of her big break. She was in 3 shows in summer ’15 – Gakkou Gurashi, Ranpo Kitan & Sore ga Seiyuu! and she won all of those through auditions. What’s more, they were all different types of roles. She’ll grow even more as she continues to work with veterans. She’s the leadoff batter for 81[produce].

C: It’s true that her agency is pushing her super hard.

A: Apart from Takahashi I’d say Asai Ayaka. Her agency* isn’t that strong but I’ve this image that her foundations are solid. In baseball, she’d be Yokohama’s Kuramoto Toshihiko.

*Seinenza Film Broadcasting

Q: We can stop it with the baseball comparisons now.

2016 predictions: Male Seiyuu

B: Work for male seiyuu is increasing thanks to the emergence of social games. Stuff like Ensemble Stars! and Idolmaster Side M. There’s this new generation of male seiyuu who appear in nothing but social games and get popular off them – they’re called the ‘Socia-ge Generation’.

C: For the new generation, in the lead would be Uchida Yuuma, who had the main role in the TV anime Classroom☆Crisis. He’s the younger brother of Uchida Maaya and he’s well taken care of by the people around him too. Probably will be the biggest breakout star of 2016. There’s also Chiba Shoya. He does the voice for the leader of the most popular unit High x Joker in Side M and he’ll be voicing the lead male role in 2016 anime ALL OUT!!.

B: It’s hard to predict the guys. If I said Ume-chan [Umehara Yuichiro] people would complain “But he’s already made it big.

Q: That’s okay. You don’t have to bother about those kinds of otaku who only know how to point out other people’s faults (laughs).

A: I’ll say Shirai Yusuke, who was in Binan Koukou Chikyuu Bouei-bu LOVE! alongside Umehara. He’s the type who’s a bit dirty…or should I say, helps to make events livelier. He’s the least famous one in Boueibu so if they want to push him they’ve got to do it now.
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[end]

As for me? Well, you can probably tell which seiyuu I am vouching for by the articles I choose to translate (so I apologize to the idols who I have zero interest in w).

For me, here’s what I’m thinking about going into 2016:

1.The I’m Enterprise girls: I have always been fond of I’m Ent girls, from the days of Ueda Kana & Nakahara Mai through to Saito Chiwa, Hikasa Yoko and Hayami Saori, and now to people like Ozawa Ari and Onishi Saori. Their next three big things will be Hondo Kaede, Naganawa Maria & Senbongi Sayaka.

2.Aketagawa Jin’s girls: Jin has helped the likes of Taneda Risa break out in recent years; it’s worth nothing who his current favourite girls are – Ozawa Ari, Ishigami Shizuka, Takahashi Minami, Kimura Juri, Takahashi Rie. Ozawa Ari is on fine footing already as is Takahashi Rie (new Precure lead), but it remains to be seen whether Ishigami and Takamina can start getting hired by other sound directors. The key cours to gauge their long-term career outlook will be spring/summer 2016.

3.Ponycan is the new Muray/SME/Aniplex: So it’s funny that I have no problems with Aketagawa’s casting business yet I do have a bone to pick with Ponycan. In fact, I get exasperated whenever I see that Ponycan is producing any new series or movie ‘cos I’m almost convinced that they’ll stick one of their kids to lead the show or sing the theme song. For Jin-kun I have no real issues because he hires people who can at least do their day job properly. For Ponycan we get stuck with Taketatsu Ayana in ill-fitting roles and breaking my eardrums with her ‘singing’, and now it looks like we’ll get tons of Hanamori Yumiri. I’m not sure whether I should be jumping with joy about that…maybe I’ll just wait for her swimsuit photobook or something.

4.Speaking of Muray: I can’t stand Amamiya Sora any more. There, I said it. She was a great turn-off for me in 2015, voice-acting wise (Plamemo, Monmusu). And she just kicked off 2016 in a bad way with Konosuba. Stop annoying me with the DAAARRRLINNNGSSS guys, it just makes my ears bleed faster.

5.Blur the lines, moar!: Just like the lines between the mainstream idol/talent world and the seiyuu industry are getting ever the fainter, I’d like to see more seiyuu being on both the ‘dark’ (eroge) and ‘light’ sides. KenPro and Pro-Fit are amongst the agencies who encourage/allow their charges to do the dirty – we’ve seen Ito Shizuka and Nabatame Hitomi do that over the years with KenPro. Pro-Fit has got girls like Nagatsuma Juri, Takamori Natsumi and now Ishigami Shizuka who do the ero stuff as well. The pay is nice too! Obviously I want this to happen cos it spares me having to play eroge on mute..but yeah, wishful thinking.

6.The halfs: I’ve been doing a bunch of articles on half-Japanese, half-Caucasian seiyuu – Ishii Mark, Lynn, Sarah Emi Bridcutt, and Arthur Lounsbery to come at some point. It’s an interesting niche to be in. 3/4 of them have sizable roles this season – Lynn is the female lead in Saijaku, Sarah the female lead in Haruchika, Mark is Lev in Haikyuu. We’ve also got Kimura Subaru who is already a star in Doraemon. Will definitely be interesting to watch their progress, and that of other halfs in the future.

7.The guys: Oh yeah this is hard. These guys really come from nowhere sometimes, and as mentioned in the third article there are some who get hot from doing mobage and I’m all ??? when it comes to those. I’ll just throw some potential names out there now so let’s see how they’ve done by year-end: Hatanaka Tasuku (KenPro), Amasaki Kohei (I’m), Yashiro Taku (Vims), Uemura Yuto (Himawari). I consider people like Uchida Yuuma, Kawanishi Kengo and Murata Taishi as having ‘made it’ already.

8.The other girls: Thinking purely in terms of voice acting roles – there’s Kito Akari (Pro-Fit). I’d like to see Tanezaki Atsumi get more roles. Yamamura Hibiku might be getting a break, as is Fukuhara Ayaka (beyond Imas). There’s the Macross girl Suzuki Minori. I like Tomita Miyu and Waki Azumi from Galko-chan and uhh…I don’t know. I’m actually really bad at remembering the younger girls and wouldn’t know a potential star until she hit me in the face; there are just too many of them and they all sound the same….only Yoshida Yuri’s voice is super distinct to me (sweat drop;;;)

#13 – Amamiya Sora

It’s her 21st birthday today! Which calls for a celebration, preferably with lots and lots of 肉 in lieu of cake.

I think it’s fair to say Tenchan is the major reason why my interest in seiyuu has revived, something that I’d never imagined remotely possible only as recently as January when I was still thick in amongst the Sone fandom. Of course I was aware of her as one of the Sphere quartet’s kouhai and that she looked a heck of a lot like Tomatsu Haruka, but I totally wasn’t paying attention to any of her work, especially not when the buzz was tied to a game franchise I have no interest in. The turning point came with Isshukan Friends. – as soon as I heard the ending theme, I was falling for her hook, line and sinker. I am extremely partial to seiyuu who can sing well since that is what actually got me interested in them in the first place – you can thank Iwao Junko and Yokoyama Chisa for that one.

The comparison of Tenchan to Harukas is not going to go away any time soon; the two of them are so similar in so many ways, yet so obviously different in others. Obviously they share similarities in looks and in terms of their role within their respective generation of MuRay idols – to borrow a term from the Kpop scene, both of them would function as the ‘visual’ of their groups. As for differences, singing ability is the most apparent with Tenchan being about 20 times a better singer than Haruka ever will be, which should make her an easier sell as a seiyuu idol. When it comes to voice-acting Harukas has the advantage and also the benefit of a huge, varied body of work that shows off her versatility but lest we forget, her debut in Polyphonica was no great shakes and it wasn’t until Kannagi that people actually stopped hating on her (yes, lots of people hated her…). So far Tenchan hasn’t done anything remotely challenging except maybe Tokyo Ghoul’s Touka, but she is landing a lot of lead roles left and right so I expect we’ll get to see the full range of her acting sooner rather than later.

Whatever reasons MuRay may have for pushing her hard what with all those radio shows and hosting jobs and best of all, Ohitori Summer, it’s definitely a great time to be a Tenchan fan. What a great 20th year it has been for Tenchan herself, and may her 21st (and 22nd and so on) years be even better!